How to Sew with Metallic Brocade

This winter has definitely been for me the season of glittery brocade! I’ve always loved this fabric but feared sewing it. After purchasing an excessive quantity at Bennytex, I had no choice but learn hands-on! The result: two party dresses for my daughter, two everyday dresses for me (not everyday for everyone though!), a top and skirt set, a mini and a midi skirt… And also many lessons on do and don’t of sewing metallic brocade, which I’m very keen to share!


I’ve read many times in sewing blogs and on Instagram that there are no rights or wrongs in sewing, just different ways to do things – which I’m not sure is totally true. Let’s say that when sewing with metallic brocade, there are many things I wish I had been told, and here they are.

I WISH I HAD BEEN TOLD NUMBER 1… BROCADE FRAYS LIKE THERE IS NO TOMORROW!! So as soon as you’ve cut all your piece do overlock them all, fully, even if they are to be fully lined – I suspect that if not overlocked they could fray by use, so personally I would not risk it. Also it will save you a lot of hoovering while sewing!

I WISH I HAD BEEN TOLD NUMBER 2…. METALLIC BROCADE IS EXTREMELY ITCHY and absolutely unbearable on bare skin. This has several implications.

First, all metallic brocade projects need to be fully lined – partial or no lining just won’t do. I did not line the silver top/ skirt set and no matter how beautiful I find it, I just cannot wear it, even with ties and a long-sleeve turtleneck t-shirt underneath. In contrast, both my dresses are fully lined and I put them on bare skin with no problem.

Second, you will need to cleverly think about how you finish your neckline, as this is definitely a very sensitive area. For both my dresses I inserted some piping, in a similar colour for the pink dress and in a contrasting one for the blue dress. To do this I sew the lining to the dress before attaching the lining by the neckline. You can also use a slighly overlapping bias, using the same method. Whatever your preference, you will need to use a different, skin-friendly fabric.

I WISH I HAD BEEN TOLD NUMBER 3… BROCADE IS VERY RIGID. It has no give whatsoever and does not really shape to the body. So I would not recommend using it for very tight fitted garments like my mini skirt, because it is just not comfortable to wear.

I would not recommend a very puffy gathered or pleated skirt either – I tried the later and it looked terrible. And I would strongly advise having plenty of seam allowance, to be able to enlarge at key areas – I did have to enlarge both my dresses (which are based on a fully tried, tested and perfectly fitted pattern) and my midi skirt at the waist.

I WISH I HAD BEEN TOLD NUMBER 4… BROCADE AND VISIBLE STITCHES JUST DO NOT WORK WELL TOGETHER. So get ready for a lot of hand-stitching, especially if you chose a circle skirt! Both brocade dresses and my brocade skirt are based on a (self-drafted) semi-circle skirt pattern; and I followed wonderful Emily Hallmann’s advice on how to line them: I sew with my machine a bias tape at the bottom, then fold it and and hand-stitched it inside. The hand-stitching takes absolute ages (90 minutes for a half-circle skirt, I counted!) but it is really worth the effort, the result is flawless. The bias also creates a nice rigid curve at the bottom, which is really pretty in my view.

I WISH I HAD BEEN TOLD NUMBER 5 … BROCADE OFTEN HAS A “WRINKLY SIDE”, WHICH IS QUITE DIFFICULT TO WORK WITH. So you have two options: either use the wrinkly side as your right side and be super careful that you don’t create unwanted folds when you sew – this will definitely require more time and attention than with “normal” fabric. Or work on the other side of the fabric, which is perfectly smooth – for illustration my mini skirt is wrinkly-side out, while my midi skirt is smooth side out.

I WISH I HAD BEEN TOLD NUMBER 6… BROCADE IS ABSOLUTELY BEAUTIFUL SO DO GO AHEAD AND USE IT!!! And I hope you will find this article useful to tackle this material.

Pink Ruffles – M7995 Dress

Is there anything like a dress pattern crush? – all seamstresses will reply in unison « of course« !!! Anyway that’s exactly what I felt when I first saw McCall’s M7995 dress, released as part of their last A/W collection – too quirky for a long-term relationship, but definitely too attractive not to make one!

My crush was made even worse when I saw Zoubi Zoubisou’s version on Instagram. The fabric contrast was such a genius idea, I had to have the same!!!

After a couple of months looking for the appropriate fabric, I actually… found it in my stash! Do you remember this dress? – I never posted specifically about it but it was part of my brocart frenzy 18 months ago...

I had a bit left of this beautiful brocart for the body of the dress (you need very little if you’re not adding the sleeves, something like 70cm!); and I miraculously found a matching shiny pink crepe on the Croftmill website, for the bottom ruffle and the bow (I bought 1m) – we had a deal!

Based on the finished measurements of the bust indicated on the enveloppe, I cut a size S, which seem fine even with my E-cup – but I stupidly lowered the sleeve opening by 1.5cm, which I always do with McCall patterns but shouldn’t have done with this one – oh well.

I had a bit of a struggle with the instructions for the collar, in particular about where you should leave an opening to slip-in the back and front of the dress when you link collar and body. To avoid that, I strongly suggest you write this down on your pattern before cutting and sewing.

This dress is definitely a winter and mid-season piece for me, so I layer it with my beloved M&S thermals and opaque tights; and it is – obviously – fully lined! Here is how I did it:

1/ I cut the two body pieces of the dress both in the main fabric and in the lining fabric.

2/ I then sew both the main fabric dress and the lining dress by the sides – ending-up with two bodies.

3/ I attached the two by the armhole openings; trimmed the sewing allowance at the curves; and overstitched it to the lining fabric, so that it would not show from the outside.

And that’s it! I’m very pleased with this little number and I am now thinking about a summer version in fine cotton… Typical!

The Glittery Coat

Having filled my Spring wardrobe with flared dresses (see here, here and here for my most recent projects), it was definitely time to sew a flared coat to match the lot! Here it is with B5966– although this one is more of a toile than the finished project!


I am a complicated person, I know. Not only did the coat need to be flared, it also had to have the right cup option (D/E in my case) – I hate FBAs (Full Bust Alterations) with a passion and I did not want to end-up with a tight bust! So Butterick B5966 was pretty much my only option to be honest. As described on the enveloppe, it is fitted and flared with a fly button closing – that would do!

I chose view C, which is the collarless, 3/4 length option. I omitted the pockets, the shoulder pads and the belt (I actually made a belt, but given my fabric it was too chunky); but otherwise made no major alterations to the pattern.

This coat is truly a love-hate case study. I really like the end-result, in particular the beautiful curves at the back.


But I really disliked making it, for the several reasons:


For those among you that love a look at the details, here are closer views of the hidden button holes:


the perfectly-fitted princess seams:

B5966-butterick-coat-in-gold-scuba-princess seams

and the full lining:


As for the fabric, it was gifted to me by Minerva Fabrics and is still available here. It is a medium-weight scuba, perfect for a structured garment such as a coat, a jacket or a pencil skirt. The fabric is made of two layers: a plain white scuba underneath; and a metallic gold net on top – do not fear, they stay firmly attached to each other when cut, sewn and washed (I was a bit worried initially). And I nearly forgot – being a scuba it does not fray! No overlocking needed, hurrah! This fabric is really easy to work with.

As for its look, the Minerva’s website gives a very good idea of the effect of this fabric: it really shimmers in the light. Some of my pictures caught this effect but not all.

B5966-butterick-coat-in-gold-scuba-beautiful back

Overall I think I will use this coat sparingly, for nights out most likely – and I view it more as a toile than as a completed garment to be honest! I am very keen to try an make it again though, in a plainer fabric and using the Ernest coat finishes inside!

In summary :

Pink and Sparkly

Let’s take a little break from fruits as I introduce you to my latest handsewn dress: pink and sparkly, with a fitted bodice, a circle skirt and piping at the neckline, I think it definitely gathers all my favourite attributes!

Although my fruit fabric addiction is still going strong (see here and here for more on this), I recently discovered this fabric on the Croftmill website and fell in love. But the price was quite hefty and my new resolution is to now order samples prior to any bulk internet orders. So I was patient indeed, ordered my sample, was convinced I had to have a dress in that fabric and ordered 2.5m.

The fabric is quite similar to a brocade but with much denser threading, so it does not fray as much – it definitely feels very high quality. There is quite a lot of metallic thread so it is definitely very itchy against bare skin – hence full lining and piping at the neckline are absolutely necessary for a dress!!!

Having recently worked-out my perfect bodice pattern, which is basically a modified version the V8630 as I explained here, I did not look any further: I just reused the bodice of my lemon dress without any modification. I added a half-circle skirt (about 75cm long to make it midi lenght), pink piping at the neckline to avoid contact of the fabric with my skin… and obviously full lining, because it is so much to make the same dress again and again and again… especially a lining dress you cannot see… Oh well!

And I absolutely love this dress! One of my most expensive dresses fabric-wise but so totally worth it!

In summary :