As many others, I have finally succumbed to the charm of the tulle skirt: let me introduce you to the Isadora tulle skirt by PM Patterns.

Long-winded tulle envy

I have been wanting to sew a tulle garment for ages, inspired by so many gorgeous hand-made (and a few shop bought) garments. Below just a few of them, from top left to bottom right: a gorgeous hand-made gown by Swedish designer Nutie; beautiful Blair Adiebee wearing an H&M special collection dress; 2021 Great Sewing Bee’s winner Serena wearing her competition-winning dress; and my sewing idol Emily Hallman wearing a self-designed multi layered circle tulle skirt.

I even got around to ordering 20m of tulle online a while ago but it turned out to be the stiff one, which you would use for a petticoat rather than a floaty, romantic skirt… This pretty much killed all my ambitions in the egg…

Then P&M Patterns issued the Isadora skirt pattern, many versions started appearing on Instagram, it was free for a month… and while shopping in Paris for fabric I found the perfect tulle: my favourite dusty pink colour, 280m wide, €3 a meter. I could just not resist!!

Isadora skirt pattern review

Despite many doubts while making the skirt, I am actually very pleased with the outcome!

Pattern positives

• Isadora is a very easy skirt to sew: you cut six tulle skirt panels, join them together (ideally but not necessarily with an overlocker), attach them to a two-panelled underskirt, add a waistband and an elastic; and you’re done!
• The pattern instructions are crystal clear. P&M’s were actually the first patterns I used when I started sewing for my then little girls (they were called Papillon & Mandarine then, which I personaly preferred), they pretty much taught me all the basics of garment sewing and their quality hasn’t changed.
• The outcome is surprisingly pretty. I was initially worried that the stitching between the panels would be very visible; and that the elasticated waistband would look bulky. But I was wrong on both accounts! The skirt is lovely, romantic and floaty, and nothing distracts from this effect.

Pattern negatives

The one major negative of this pattern in my view is that the underskirt is quite substantially shorter than the tulle skirt, a look I personally utterly dislike. For my skirt, I only realised the difference once the skirt was fully sewn. Luckily my tulle was skirt too long for my liking, so I just had to trim it to make it just slightly longer than the underskirt.

A bit of advice to work with tulle

It was my first time working with tulle so here is what I learned:

• Do not mix up your tulles! There is a stiff type and a soft type, soft tulle is definitely what you want for this skirt. You can find some here if you are in the UK.
• Cut tulle with a rotary cutter, like this one. I usually am in the scissors team for cutting my fabric, but a rotary cutter will give you a much neater cut for the exposed hem. And always use your rotary cutter on a self-healing cutting mat.
• Carefully match your lining with you tulle. The Isadora skirt has only one layer of tulle, so the colour the tulle takes will be largely influenced by the colour of your underskirt.

Conclusion

I really like the look of this skirt with trainers and a leather jacket. And I am definitely ready to tackle the Emily Hallman multi-layered circle tulle skirt now – watch this space!!

After sewing my first Luzerne trench coat nearly exactly a year ago, I have managed to make a twin! Let me introduce you to my powder pink Luzerne coat, hot off the sewing machine.

Spring coat envy

Spring seems to be the main time when I sew outwear, weirdly enough! By March, I have had enough of my winter wardrobe but there is no way I can switch to my summer one… So a new coat is a nice way to pimp my  « old » clothes up!

Last year I made a deep burgundy Luzerne and a off-white cape…

… this year a lilac woollen coat and a powder pink Luzerne…

… and all four are being worn extensively, as Spring this year has been far from warm and sunny!

Luzerne trench coat pattern review

There is now quite a few trench coat patterns available on the market. But Luzerne by Deer & Doe was one of the first to be published. I adored it as soon as I saw it. However between a long search for fabric and two years of Covid, it took a long while for me to sew it. All worth it though!!

I wrote an extensive review of the pattern in this article and nothing has changed really.

Many likes

There are many things I like about it:

• The style is my holy grail for coats. It is sufficiently fit-and-flare to work with all my dresses but not unwearable for grocery shopping or the school run.
• The instructions are so good that the coat feels actually very easy to put together. You just have to follow meticulously absolutely all the steps – something I rarely do for easier pieces I am used to sewing (did I hear someone say dresses?).
• The sizing is spot on, with enough room at the bust and perfect ease at the waist. My usual Deer & Doe size 38 works perfectly, I would really change nothing to the fit. For reference I am a UK8/ US 2/ FR 36 with an E-cup bust.
• The finished coat is impeccable, both outside thanks to a lot of topstitching and inside thanks to having all visible seams bound with bias tape. I wish there were some additional instructions to line the coat though…

Very few dislikes

The main negative of this coat is its length: in its original version it stops at mid-tight, far far far too short if you intend to wear it with knee-length skirts! I had a massive drama with my first Luzerne coat (hence the piping, which is actually a last-minute, disaster recovery solution). This time I was fully prepared and cut all skirt pieces an extra 20cm longer (I am 1.68m).

The other thing I dislike about this pattern are the bound buttonholes: the instructions recommend to put them in first thing, a recipe for placement disaster I have learnt; and in any case I don’t think they work really well with the fabric I used (cotton twill). So this time I wisely gave-up on the bound buttonholes and went for machine-made ones instead.

Fabric used and changes to the pattern

I used the exact same fabric as for my previous Luzerne: a Robert Kaufman cotton twill (“Ventana”), this time in its powder pink version. I got it a few years ago from SewMeSunshine and they still stock a wide range of colours, all here if you are interested (and my previous Luzerne was in this colour).

As for changes to the pattern, on top of lengthening the coat and giving-up on the bound buttonholes, I added a buckle to the belt. I find that it makes for a much neater finish than a knot. I found this buckle on Etsy and it is very straightforward to sew. As it is sliding, you don’t need any heavy duty equipment, hurrah!

Conclusion

I had a fantastic time sewing this coat: it is a long but very rewarding project, and ever so useful if my wardrobe. I now have to refrain myself from buying another 5m of Ventana twill for yet another version…. Purple? Periwinkle? No no no!!!

Last week, I felt a sudden need for Spring wrap dress… and here it is! Let me introduce you to my blush pink V8379 dress:

Far from a first….

You know how much of a repeat offender I am when it comes to sewing, so it won’t come as a surprise that this is not my first version of this pattern. I actually made two other versions not that long ago, one deep purple and one burgundy, both reviewed in the blog here and here.

I have worn both dresses extensively over the winter, especially as I have matching cardigans for both and can therefore warm them up quite easily. But their colours are too dark for Spring so I definitely needed a new version!

V8397 pattern review

V8379 has become one of my favourite dress patterns, for several reasons:

• It perfectly fits my style: a fitted bodice and a flared half-circle skirt, with the bonus of being a wrap, what more to ask for?
• It is an incredibly quick and easy make: 6 pattern pieces, no technical closure, this is the perfect candidate for a relaxed afternoon sewing session.
• The fit is spot-on: as this pattern is for stretch fabric, the fit is in any case quite forgiving. The bust pleats in particular allow for no FBA even if you usually make one. As usual with Vogue (McCall’s, Butterick), I cut a size 10 (for my FR36/ UK8/ US2 and E bust cup), made absolutely no adjustment anywhere, and it fits like a glove.
• Despite it simplicity, this dress has absolutely lovely details: the bust pleats mentioned above and also the pretty sleeve bands.

The only negative I see in this pattern is that the instructions has limited details for inside finishing. Although this is not necessary for this type of fabric, I decided to overlock all my raw edges for a clean finish; and I put some iron-on interfacing around the side-opening for the belt, to strengthen it.

Fabric choice

As for my previous two dresses, I used Ponte Roma fabric , which has some stretch (as recommended by the pattern) but is also heavy enough to hold its shape. It is absolutely perfect for this pattern and I strongly recommend it. I am very tempted to try and make this dress in a much lighter fabric for summer, but also very scared it could turn out as a big disaster…

A word of warning on Ponte Roma: always go for the viscose version, not the polyester one. The later piles when washed and needed to be avoided at all cost.

Conclusion

Although I have not been very innovative for this dress, I am expecting to wear it extensively and I am delighted with it!

After a long absence from the blog and from my sewing room, I am back and it brings me a lot of joy! Here is my first make after a two-month break: a vintage lilac coat, perfectly warm and cozy for Spring in London.

A bit of context

While away, I received a few message kindly inquiring about how I was – and they really warmed my heart! The truth is that I have not been really well, slowly sinking into mild depression. Life has been too complicated recently and I am simply not managing very well: we got ourselves into two house construction/ renovation projects, had to move in a rush to a temporary rental house I hate, got our family home knocked down to leave place for the new… all this with four moody teenagers at home and the general world political situation around us…

The good news is that I am slowly working on my recovery with sports, yoga, low-dose antidepressants and… sewing of course. My sewing room was the last room I worked on in the new place (typical) but it is delightful: big, full of light and perfectly furnished, with a huge desk for my machines and even a cutting table!!! We had to buy all new but did not want to spend a fortune for a temporary solution, so IKEA was a saviour here.

But back to sewing! For an obscure reason, come Spring and I always feel the need for a new coat. This year is no exception and thankfully Vogue 4001 made my life very easy.

Pattern description

Vogue 4001 is an original (non re-edited) vintage pattern from 1959. It is described as “a straight coat with high, round collarless neckline (… ) and above or below elbow-length raglan sleeves“. There is a true 1950’s Dior feel to it and it was love at first sight when I saw MD Provost’s wonderful version. I was very lucky and immediately managed to find the pattern in my size and in very good condition from Etsy (already cut but perfectly folded and apparently never used).

Beware: there is no closure at the front and that’s how the coat is meant to be worn. So definitely not appropriate for high winter but perfect in my view for mid-season.

Pros: easy to make, easy to fit and incredibly stylish

This coat was a joy to sew, exactly what I needed! It is an extremely easy make, as there are only 10 pattern pieces and no front closure so no fiddly zip or buttonholes. The fit it quite accommodating as long as you get the shoulder size about right. And is it so stylish that I get compliments from random strangers each time I wear it – incredible given how streamlined the shape is.

Cons: too long, funny-positioned pockets and nightmarish lining

The easy-to-fix issue of this coat is that it is 15cm too long (for my 1.68m height). The envelope drawing is misleading here as if you follow the pattern, you will end-up with a mid-calf coat which looks like a bathrobe – I strongly advise to shorten it (as I did).

Another issue is that the pockets are sitting similarly too low but given how they are designed, once cut you can’t move them. I personally don’t feel the need for pockets but if you do just, move them at least 10cm up on the pattern pieces before cutting your fabric.

Lastly, the coat can be fully lined and the lining pieces are perfectly designed but the instructions on how to line the coat are very poor, advising to attach most of the lining to the coat by hand. My view is that attaching the lining with the sewing machine is much neater and I did that as much as I could – but I realised the problem a bit late so the finish is not as nice as I would have liked.

Sizing

The pattern I purchased was size 14 (bust 34, hip 36) and it fitted well my size 8 UK/ 36 FR/ 2 US. Maybe a little large at the shoulders but I am very narrow in this area. As I mentioned, the fit for this coat is quite accommodating due to its straight shape – which is lucky because I frankly had no clue of sizing with vintage patterns.

Fabric

If you have been reading this blog for a bit, you know my passion for all think lilac, violet and purple. So when I saw this lilac wool coating from The New Craft House advertised pre release on Instagram, I even messaged them to know whether I could get 3m immediately. The answer was no but I was super quick when it was released and got all I needed – the coat actually only required 2.5m.

This fabric is as gorgeous in real life as it looks in pictures: with a vivid lilac colour, thick but with drape, and super soft. I absolutely adore it.

Conclusion

This was definitely the right project to get my sewing mojo back! More coats soon… and maybe a few dresses of course!